NEW SINGLES —————————

Nigerian, Juno-nominated R&B artist Zenesoul releases her new single “Focused On Me,” a soulful affirmation of growth and self-love. Blending classic soul warmth with modern R&B textures, the now Toronto-based singer/songwriter continues to prove why she’s one of today’s most compelling voices. With emotional honesty and vulnerability, Zenesoul transforms her lived experiences into healing soundscapes that uplift and deeply resonate with listeners.

Faith Richards’ new single “Private Star” finds the rising R&B artist stepping fully into her sensual, cinematic power. Co-produced with Prairies, the track blends dark-pop allure with her signature journal-like storytelling, reflecting the duality of writing it in Paris in 2022 and finishing it in Dallas in 2025. Moody, magnetic, and brimming with confidence, “Private Star” offers a striking preview of her boundary-breaking sophomore album scheduled to arrive early next year.
NEW ALBUM

Nigerian singer-songwriter Tems has surprised fans with the release of her seven-song EP Love Is a Kingdom, arriving without prior announcement. Produced, composed, and written almost entirely by Tems herself, the EP blends R&B, Afrobeats, and alternative music, showcasing her soulful vocals and vivid songwriting. Exploring themes of love, personal strength, and growth, the record offers a dynamic mix of ballads and lively tracks, further cementing Tems’ status as a rising global star.
PREMIERING NOW

Dallas-born, LA-based musician Liv.e continues her prolific streak with a new collaborative project: GENA, a duo formed with acclaimed Detroit drummer and producer Karriem Riggins. Short for “God Energy, Naturally Amazing” and partly inspired by Gina from the ’90s sitcom Martin, GENA debuts with the smooth, buoyant single “Circlesz.” Paired with a retro talk-show–style video directed by Mackai Sharp, the track blends playful bass, nimble drums, and Liv.e’s shape-shifting vocals into an irresistibly repeat-worthy groove.

From her fifth studio album Destinée, French-Malian singer-songwriter Aya Nakamura drops the visuals for her new single “No Stress.” The nighttime video features a striking club scene where a stylish, self-assured Aya dances confidently under the glow of admiring onlookers. Among them is a potential love interest she playfully captivates, teasing him with sultry choreography and heartfelt lyrics that boldly lay out what it truly takes to win her heart.
NOW PLAYING ———————————————————————

Dexter in the Newsagent returns with her new single “i told ya,” a playful, late–’90s R&B-tinged track that reasserts her confidence and rising star power. The release caps a breakthrough year that included standout singles, a feature on Jim Legxacy’s Black British Music album, and packed live performances. Hand-picked by Blood Orange to support his November show at London’s Alexandra Palace Theatre, the South London artist continues her momentum with her third release of 2025, following “Special” and “Eighteen" which are all featured on her new album Time Flies.

Ne-Yo launches his country-inspired era with the release of “Simple Things,” arriving Friday on the 20th anniversary of his breakout No. 1 hit “So Sick.” Produced by Dave Cohen and Young Lan and recorded in Nashville, the single reflects the singer’s focus on “the things that really matter in life,” including family, faith, and meaningful music. Ne-Yo debuted the track live during his first-ever Grand Ole Opry performance on Thursday, calling the milestone a “bucket list” moment as he embraces a bold new artistic reinvention.

Grammy-nominated singer and songwriterElijah Blake returns with “Glass House,” a vulnerable new single. The track explores a relationship slowly fracturing under miscommunication, insecurity, and unspoken truths. Blake moves between tender reflection and raw frustration as he asks, “Are we falling outta love?” Its lyrics capture the exhausting push-and-pull of two people hurting each other while trying to stay connected, highlighted by striking lines like “Tough love too much, not enough white gloves, just hurt feelings.”

De La Soul’s Cabin in the Skyarrives as a powerful and emotional final chapter for the legendary trio, recorded before the 2023 passing of Dave (Trugoy The Dove). Their first album since 2016, the 20-track project blends weary warmth with inventive transitions, cinematic orchestration, and standout contributions from Nas, Q-Tip, Slick Rick, Pete Rock, and DJ Premier. Highlights include the superb lead single “The Package” and the poignant “Different World,” as the group honors Dave’s legacy with moving reflections on grief, memory, and unbreakable brotherhood.

Ron E unveils the official video for his new single “Still On My Mind,” featuring Fabolous. The cinematic Gerard Victor–directed visual blends glossy nighttime shots and intimate close-ups to amplify Ron’s emotional storytelling and Fabolous’ smooth delivery. The track appears on Ron’s debut album Let Me Explain. . Following a Grammy win and major songwriting credits, Ron E continues solidifying his rise as one of R&B’s most exciting new voices.

Boluwatife “Champz” Balogun, the 14-year-old son of Afrobeats icon Wizkid, makes a bold entrance with his debut EP Champion’s Arrival. Released on November 11, the five-track project soared to No. 1 on Apple Music Nigeria within five hours, making him the youngest artist to top the chart. Blending Afrobeats rhythms with UK grime, the EP highlights Champz’s solo confidence and has already charted in over 30 countries with millions of streams.

Funk/Jazz trio Soulive’s “Flowers at Your Feet,” featuring Grammy winner Van Hunt, is a soulful, psych-funk reflection recorded under Iceland’s endless summer light at Flóki Studios. As the trio’s second single from their upcoming album Flowers , the track showcases their telepathic chemistry and rich lineage of influences, elevated by Hunt’s kaleidoscopic vocals. Produced and engineered by Alan Evans, the song honors musical greats while marking Soulive’s powerful return.

Pierre Anthony’s “Love You” arrives as a warm, modern pop-love anthem capturing two people falling deeply for one another. The New York–born soulful vocalist, known for channeling the timeless spirit of 50s, 60s, and 70s R&B, brings the song to life in a beautifully directed music video from his album In My Feelings. Co-directed with Reidge Johannes, the visual highlights tender glances, dreamy romance, and the emotional richness that defines Anthony’s sound.

British singer Nia Smith’s new single “Limit” pairs cool conviction with soulful clarity as she confronts the boundaries of love. Sampling James Blake’s “Limit to Your Love,” the track blends bluesy piano and steady percussion while she questions her partner’s behavior and signals an impending ending. After a year of revisions, Smith says the song speaks for those ready to let go, adding to a breakout year of major performances and her debut EP.

Yemi Alade returns with “Shawa Shawa (Ashawo),” a vibrant and evocative new single that highlights her unmistakable pan-African star power. Featuring fellow Nigerian vocalist Fave, the track is already generating major buzz online thanks to its uplifting energy and irresistible groove. With her Grammy-nominated pedigree and deep cultural roots, Alade delivers another must-add anthem for fans of feel-good, high-spirited music.

When the NFL announced that Bad Bunny would headline the Super Bowl LX halftime show on February 8, 2026, it should have been a celebratory moment: a recognition of one of the most globally successful and culturally significant artists of the modern era. Instead, the reaction from conservative corners of America has been nothing short of absurd. From politicians to pundits to former football players, the outrage over a Puerto Rican superstar performing at America’s biggest sporting event reveals more about their own insecurities and biases than it does about Bad Bunny or his music. The outrage machine kicked into overdrive almost immediately. Just this Tuesday, Speaker of the House Mike Johnson called the NFL’s decision “terrible” and suggested 82-year-old Lee Greenwood should perform instead, as though nostalgia were the only valid form of patriotism. Recently, Fox Nation host Tomi Lahren embarrassed herself by claiming Bad Bunny “is not an American artist,” only to be reminded (on her own show) that Puerto Rico is part of the United States. Even Donald Trump jumped into the fray, claiming he’d “never heard of him,” a statement that says more about Trump’s cultural ignorance than about Bad Bunny’s reach. Hall of Famer Eric Dickerson also chimed in on the brouhaha, telling Bunny to “keep his ass away” from the Super Bowl if he doesn’t “like America.” Nonetheless it’s a pattern we’ve seen before: manufactured outrage cloaked in nationalism and cultural insecurity.

This Throwback Thursday, we’re diving into Sade’s 1992 classic “No Ordinary Love,” a song that cemented its place as one of the most evocative and meticulously crafted R&B slow burns of the era. Upon release, critics praised its cool sophistication and emotional depth. Billboard’s Larry Flick lauded Sade’s “famously smoky voice” floating over a spare but sensual arrangement, while Entertainment Weekly called it a surge of emotion from music’s “high priestess of understated cool.” Critics across the board, from The Guardian to Music & Media, celebrated the hypnotic beats, languid groove, and subtle guitar flourishes that elevated the track into something both stylish and deeply affecting. Over the decades, “No Ordinary Love” has only grown in stature. Retrospective reviews describe it as intoxicating, intimate, and devastating in its portrayal of elusive love. Albumism praised its haunting intro, while The Guardian called the song a pinnacle of Sade’s opulent sound design on Love Deluxe. Vulture ranked it second among all Sade tracks, noting how it blurs the line between flawless romance and heartbreak, wrapped in deep-sea synths and an almost accusatory guitar. Its worldwide chart success mirrored the acclaim, landing top-20 placements in multiple countries and climbing several U.S. Billboard charts, eventually becoming one of Sade’s most recognizable hits. The song’s legacy continues to resonate through its award wins, iconic music video, and enduring cultural influence. Directed by Sophie Muller, the video’s imagery of Sade as a mermaid-turned-bride searching for a lost love became an unforgettable visual companion to the track’s emotional depth. “No Ordinary Love” went on to earn a Grammy, multiple ASCAP and BMI awards, and spots on prestigious best-of lists from Complex, Spin, Pitchfork, and Rolling Stone. More than thirty years later, the song remains what its title promises—no ordinary love song, but a timeless masterpiece that still captivates the heart.

Odumodublvck’s Industry Machine hits like a storm: loud, confident, and impossible to ignore. The Nigerian rapper and songwriter from Abuja, known for fusing drill, grime, and Afrobeats, returns with his ninth project: a bold declaration of who he is and where he stands. Across 23 tracks, this project moves with purpose; the sound is raw yet intentional, every verse charged with conviction. From the opening title track, Odumodublvck sounds like a man done being underestimated, his flow sharp and unrelenting. The production matches his fire: layered, dynamic, and built to amplify his energy. “Grooving” featuring Davido and Seun Kuti bursts with joyful confidence, while “Unaware” with Pa Salieu lands heavier, exposing the harsh truths of the industry. What makes Industry Machine even more powerful is its honesty. Odumodublvck doesn’t sugarcoat anything, he lays bare his triumphs, frustrations, and the relentless grind behind them. On “Baby Reindeer,” he softens, revealing a more introspective side, while “Banza Boy” pulls back to the streets, pulsing with hunger and defiance. You can feel both pride and pain in his delivery, that delicate balance of vulnerability and bravado giving the album its pulse. Indeed, Industry Machine is more than an album, it’s Odumodublvck’s story in motion. A fearless expression of identity, ambition, and resilience, it captures a pivotal moment in African hip-hop’s evolution and reminds listeners that greatness often rises from grit.
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OUTSIDE THE STUDIO
THE DROP ZONE ———————————————————————

RUBII returns with Feeluh, a captivating new EP that cements her place as one of the most exciting voices in contemporary R&B. Blending neo-soul, and alt-pop textures, the UK artist delivers intimate, harmonizing vocals that feel both nostalgic and modern.Feeluhexplores themes of sudden success, growth, and betrayal with grounded, conversational lyricism. Following over 250 million streams, breakout singles like “Twin Flames,” and a buzzworthy Glastonbury performance, RUBII steps boldly into her next chapter with the confident, self-assured lead track “Confidence.”

Elijah Blake unveils the stirring video for “Shouldn’t Wanna Call,” a raw, late-night confession that finds the Grammy-winning singer-songwriter caught between closure and longing. Floating over lush production, his vocals trace the ache of letting go while still clinging to memories of a love that shaped him. As the third single from his upcoming album THE GEMINI, the track deepens Blake’s exploration of emotional duality, following the soulful singles “White Rum” and “Work It Out.”

Buffalo emcee-producer Che Noir teams up with fellow Buffalo rapper 7xvethegenius for the “Not Me” official music video, delivering sharp, uncompromising bars over Chup’s gritty, mid-’90s–inspired production. The track showcases both artists’ layered verses, driven by heart, hustle, and unwavering vision. Serving as a powerful glimpse into their highly anticipated collaborative album, the record highlights why Che Noir and 7xvethegenius are considered two of the strongest voices in rap today.

Tanzanian artist Diamond Platnumz’s “Sasampa” is a vibrant Amapiano anthem that celebrates the power of African collaboration. Featuring rappers/singers Focalistic, Uncool MC, Silas Africa, and Xduppy, the track blends lush rhythms, soulful energy, and cultural fusion. Released ;ast month, it stands out as a true party starter and a shining example of how diverse African sounds continue to unite artists and audiences across the continent.

Kah-Lo returns from a brief sabbatical with “Somersaults,” a retro-tinged, energetic single that showcases her singular voice and emotional honesty. Known for hits like “Fake ID,” the Grammy-nominated Nigerian house artist steps into a more vulnerable era, exploring the disorienting pull of affection and the ways it can push us beyond our usual limits. With playful yet expressive vocals, she turns heartache into something bold, fun, and ultimately empowering.

Jacquees drops his new single “Let You Go” featuring K Camp, a smooth preview of his upcoming album Mood 2. Blending silky R&B with Amapiano grooves, the track showcases his vocal finesse over deep percussion and hypnotic rhythms. The Atlanta duo continues their hitmaking streak, while Jacquees builds on the success ofBaby Making, which topped the iTunes R&B/Soul charts.

Following the release of her 2nd album Still Over It(2021), singer/songwriter Summer Walker spent the next two years collaborating widely before releasing her EPClear 2: Soft Lifein 2023 and beginning work on her third studio album. In October 2024, she confirmed the final installment of herOver Ittrilogy, later titledFinally Over It, introducing themes of self-love and growth split into two parts: “For Better” and “For Worse.” Inspired by Anna Nicole Smith and early-2000s pop culture aesthetics, the album rollout included teasers, skits, an escape-room event, and a Pac-Man–style video game.Finally Over Itarrives November 14, with 18 tracks and multiple collaborators that include Chris Brown and Latto..

R&B songstress Tweet makes a graceful return with the video for her new single “Toot Toot,” setting a warm, vintage vibe that invites fans straight into her world. The visual complements the song’s smooth, reflective feel as she distances herself from a man who isn’t ready for her love. Serving as the first taste of her upcoming album Memoirs of a Southern Hummingbird, “Toot Toot” marks a confident, soulful comeback.















