NEW SINGLES —————————
British singer Nia Smith’s new single “Limit” pairs cool conviction with soulful clarity as she confronts the boundaries of love. Sampling James Blake’s “Limit to Your Love,” the track blends bluesy piano and steady percussion while she questions her partner’s behavior and signals an impending ending. After a year of revisions, Smith says the song speaks for those ready to let go, adding to a breakout year of major performances and her debut EP.
Yemi Alade returns with “Shawa Shawa (Ashawo),” a vibrant and evocative new single that highlights her unmistakable pan-African star power. Featuring fellow Nigerian vocalist Fave, the track is already generating major buzz online thanks to its uplifting energy and irresistible groove. With her Grammy-nominated pedigree and deep cultural roots, Alade delivers another must-add anthem for fans of feel-good, high-spirited music.
NEW ALBUM
Boluwatife “Champz” Balogun, the 14-year-old son of Afrobeats icon Wizkid, makes a bold entrance with his debut EP Champion’s Arrival. Released on November 11, the five-track project soared to No. 1 on Apple Music Nigeria within five hours, making him the youngest artist to top the chart. Blending Afrobeats rhythms with UK grime, the EP highlights Champz’s solo confidence and has already charted in over 30 countries with millions of streams.
PREMIERING NOW
Funk/Jazz trio Soulive’s “Flowers at Your Feet,” featuring Grammy winner Van Hunt, is a soulful, psych-funk reflection recorded under Iceland’s endless summer light at Flóki Studios. As the trio’s second single from their upcoming album Flowers , the track showcases their telepathic chemistry and rich lineage of influences, elevated by Hunt’s kaleidoscopic vocals. Produced and engineered by Alan Evans, the song honors musical greats while marking Soulive’s powerful return.
Pierre Anthony’s “Love You” arrives as a warm, modern pop-love anthem capturing two people falling deeply for one another. The New York–born soulful vocalist, known for channeling the timeless spirit of 50s, 60s, and 70s R&B, brings the song to life in a beautifully directed music video from his album In My Feelings. Co-directed with Reidge Johannes, the visual highlights tender glances, dreamy romance, and the emotional richness that defines Anthony’s sound.
NOW PLAYING ———————————————————————
RUBII returns with Feeluh, a captivating new EP that cements her place as one of the most exciting voices in contemporary R&B. Blending neo-soul, and alt-pop textures, the UK artist delivers intimate, harmonizing vocals that feel both nostalgic and modern.Feeluhexplores themes of sudden success, growth, and betrayal with grounded, conversational lyricism. Following over 250 million streams, breakout singles like “Twin Flames,” and a buzzworthy Glastonbury performance, RUBII steps boldly into her next chapter with the confident, self-assured lead track “Confidence.”
Elijah Blake unveils the stirring video for “Shouldn’t Wanna Call,” a raw, late-night confession that finds the Grammy-winning singer-songwriter caught between closure and longing. Floating over lush production, his vocals trace the ache of letting go while still clinging to memories of a love that shaped him. As the third single from his upcoming album THE GEMINI, the track deepens Blake’s exploration of emotional duality, following the soulful singles “White Rum” and “Work It Out.”
Buffalo emcee-producer Che Noir teams up with fellow Buffalo rapper 7xvethegenius for the “Not Me” official music video, delivering sharp, uncompromising bars over Chup’s gritty, mid-’90s–inspired production. The track showcases both artists’ layered verses, driven by heart, hustle, and unwavering vision. Serving as a powerful glimpse into their highly anticipated collaborative album, the record highlights why Che Noir and 7xvethegenius are considered two of the strongest voices in rap today.
Tanzanian artist Diamond Platnumz’s “Sasampa” is a vibrant Amapiano anthem that celebrates the power of African collaboration. Featuring rappers/singers Focalistic, Uncool MC, Silas Africa, and Xduppy, the track blends lush rhythms, soulful energy, and cultural fusion. Released ;ast month, it stands out as a true party starter and a shining example of how diverse African sounds continue to unite artists and audiences across the continent.
Kah-Lo returns from a brief sabbatical with “Somersaults,” a retro-tinged, energetic single that showcases her singular voice and emotional honesty. Known for hits like “Fake ID,” the Grammy-nominated Nigerian house artist steps into a more vulnerable era, exploring the disorienting pull of affection and the ways it can push us beyond our usual limits. With playful yet expressive vocals, she turns heartache into something bold, fun, and ultimately empowering.
Justin Radford, a Clarksville, Tennessee singer, songwriter, and producer whose church upbringing and influences like Kirk Franklin and Pharrell. offers up his new holiday single, “The Greatest Gift,” while deliveromg a heartfelt reminder that Jesus is the true reason for the season.
Jacquees drops his new single “Let You Go” featuring K Camp, a smooth preview of his upcoming album Mood 2. Blending silky R&B with Amapiano grooves, the track showcases his vocal finesse over deep percussion and hypnotic rhythms. The Atlanta duo continues their hitmaking streak, while Jacquees builds on the success ofBaby Making, which topped the iTunes R&B/Soul charts.
Following the release of her 2nd album Still Over It(2021), singer/songwriter Summer Walker spent the next two years collaborating widely before releasing her EPClear 2: Soft Lifein 2023 and beginning work on her third studio album. In October 2024, she confirmed the final installment of herOver Ittrilogy, later titledFinally Over It, introducing themes of self-love and growth split into two parts: “For Better” and “For Worse.” Inspired by Anna Nicole Smith and early-2000s pop culture aesthetics, the album rollout included teasers, skits, an escape-room event, and a Pac-Man–style video game.Finally Over Itarrives November 14, with 18 tracks and multiple collaborators that include Chris Brown and Latto..
R&B songstress Tweet makes a graceful return with the video for her new single “Toot Toot,” setting a warm, vintage vibe that invites fans straight into her world. The visual complements the song’s smooth, reflective feel as she distances herself from a man who isn’t ready for her love. Serving as the first taste of her upcoming album Memoirs of a Southern Hummingbird, “Toot Toot” marks a confident, soulful comeback.
Omarion marks his birthday with the powerful dance video for “For War,” a raw, emotional ballad that blends vulnerability with masterful choreography. Moving through lyrics about heartbreak, conflict, and longing for refuge, he turns pain into performance, embodying the song’s intensity with every step. The visual highlights his signature precision and star presence while offering a striking preview of his upcoming O2era. “For War” is Omarion at his most expressive and captivating.
When the NFL announced that Bad Bunny would headline the Super Bowl LX halftime show on February 8, 2026, it should have been a celebratory moment: a recognition of one of the most globally successful and culturally significant artists of the modern era. Instead, the reaction from conservative corners of America has been nothing short of absurd. From politicians to pundits to former football players, the outrage over a Puerto Rican superstar performing at America’s biggest sporting event reveals more about their own insecurities and biases than it does about Bad Bunny or his music. The outrage machine kicked into overdrive almost immediately. Just this Tuesday, Speaker of the House Mike Johnson called the NFL’s decision “terrible” and suggested 82-year-old Lee Greenwood should perform instead, as though nostalgia were the only valid form of patriotism. Recently, Fox Nation host Tomi Lahren embarrassed herself by claiming Bad Bunny “is not an American artist,” only to be reminded (on her own show) that Puerto Rico is part of the United States. Even Donald Trump jumped into the fray, claiming he’d “never heard of him,” a statement that says more about Trump’s cultural ignorance than about Bad Bunny’s reach. Hall of Famer Eric Dickerson also chimed in on the brouhaha, telling Bunny to “keep his ass away” from the Super Bowl if he doesn’t “like America.” Nonetheless it’s a pattern we’ve seen before: manufactured outrage cloaked in nationalism and cultural insecurity.
As this Fall honoring change, maturity, letting go, and preparation comes to a close, this edition of Throwback Thursday is dedicated to an artist who has long celebrated both through his music, the incomparable Stevie Wonder . While his catalog overflows with timeless odes to love like “Ribbon in the Sky” and “Overjoyed,” today’s spotlight shines on a lesser-celebrated treasure from his discography: “These Three Words.” It’s a song that captures Wonder’s ability to distill deep emotion into the simplest yet most powerful expression imaginable. “These Three Words” appears on the Jungle Fever soundtrack, a 1991 album Wonder crafted with longtime collaborator Nathan Watts for Spike Lee’s film of the same name. The movie explored issues of race, addiction, and the complexities of interracial relationships in early-’90s America, while Wonder’s music provided a soulful emotional anchor. Despite mixed critical reception, the soundtrack achieved commercial success, and “These Three Words” reached No. 7 on the Billboard R&B chart, standing as one of the project’s most beloved cuts. More than three decades later, “These Three Words” continues to strike a chord with listeners. The song’s message, urging us to say “I love you” before it’s too late, feels even more profound in a world marked by distance, loss, and uncertainty. Scroll through the YouTube comments today, and you’ll find fans sharing stories of how the song comforted them through grief or rekindled appreciation for loved ones. It’s proof that, once again, Stevie Wonder found the universal in the personal, reminding us that love, when spoken simply and sincerely, never loses its power.
Odumodublvck’s Industry Machine hits like a storm: loud, confident, and impossible to ignore. The Nigerian rapper and songwriter from Abuja, known for fusing drill, grime, and Afrobeats, returns with his ninth project: a bold declaration of who he is and where he stands. Across 23 tracks, this project moves with purpose; the sound is raw yet intentional, every verse charged with conviction. From the opening title track, Odumodublvck sounds like a man done being underestimated, his flow sharp and unrelenting. The production matches his fire: layered, dynamic, and built to amplify his energy. “Grooving” featuring Davido and Seun Kuti bursts with joyful confidence, while “Unaware” with Pa Salieu lands heavier, exposing the harsh truths of the industry. What makes Industry Machine even more powerful is its honesty. Odumodublvck doesn’t sugarcoat anything, he lays bare his triumphs, frustrations, and the relentless grind behind them. On “Baby Reindeer,” he softens, revealing a more introspective side, while “Banza Boy” pulls back to the streets, pulsing with hunger and defiance. You can feel both pride and pain in his delivery, that delicate balance of vulnerability and bravado giving the album its pulse. Indeed, Industry Machine is more than an album, it’s Odumodublvck’s story in motion. A fearless expression of identity, ambition, and resilience, it captures a pivotal moment in African hip-hop’s evolution and reminds listeners that greatness often rises from grit.
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THE DROP ZONE ———————————————————————
Jorja Smith bares her soul in the acoustic visual for “With You,” a tender exploration of love, trust, and emotional distance. The Walsall-born singer delivers raw vulnerability as she questions the state of a fading relationship, her soothing vocals floating over delicate guitar melodies. With its stripped-down production and heartfelt lyrics, the video highlights Smith’s signature blend of honesty and elegance.
Keri Hilson delivers a sultry and emotional visual for “Again,” the latest single from her album We Need to Talk: Drama.Blending heartfelt lyrics about a toxic love cycle with a nostalgic sample of Splack Pack’s 1993 hit “Scrub the Ground,” the track comes alive through Hilson’s soulful delivery and Mr. Hanky’s slick production. StarringBeauty in Blackactor Shannon Wallace, the video perfectly captures love’s addictive back-and-forth.
Kenyan rapper, singer, and songwriter Ssaru continues to push boundaries with her new single “Mastingo,” featuring Bensoul . Produced by Vic West and directed by Ben 47 , the track blends Ssaru’s fierce Swahili and genge bars with Bensoul’s smooth vocals, capturing the vibe of a weekend rendezvous with the catchy hook, “Leo niko na Mastingo.”Since debuting in 2019, Ssaru remains one of Kenya’s most dynamic and fearless musical voices.
Canadian R&B singer-songwriter Savannah Ré returns with her heartfelt new single “Hold You,” produced by her husband YogiTheProducer . The soulful track celebrates intimacy, gratitude, and the comfort of genuine love. Ré describes it as a tribute to appreciating a partner’s care and safety. It marks her first release since her 2024 album Formed.
Rising Providence-born singer-songwriter Storm Ford delivers soul and vulnerability on her new EP Down Payment , released October 24. Spanning eight tracks, including standouts like “Crutch on Me,” “Trying,” and “Step Back,” the project explores themes of love, loss, and self-discovery. Blending raw emotion with smooth R&B production, Down Payment showcases Ford’s growth, authenticity, and captivating storytelling throughout its 23-minute runtime.
Philadelphia-born, London-based artist ELUNIA releases her poignant new single “Strobe Lights,” a cinematic indie-electronic reflection on burnout, identity, and self-reconnection. Written amid the pressures of London’s recent post-production grind, the song captures the numbness of depression through ambient textures and soft electronic pulses. ELUNIA’s introspective lyrics (like the haunting line “what happened to that girl on the train?”) illuminate fleeting moments of clarity amid exhaustion and change.
R&B vet Christopher Williams makes a powerful return with his new single “Good Enough,” which dropped November 7 via Virgin Music Group. Sampling Cherrelle’s 1988 hit “Everything I Miss at Home,” the smooth mid-tempo track showcases Williams’ refined vocals and timeless soul, setting the tone for his upcoming album War and Peace.
Chicago-born, Grammy-nominated singer-songwriter BJRNCK unveils her debut EP A Girl Like Mevia Geffen Records, a soulful, twelve-track journey through love, heartbreak, and self-discovery. Blending Caribbean rhythms with gospel roots, BJRNCK channels influences like Brandy and Usher into moody, melodic R&B. With standout tracks like “Good 4 Me” and “Missing You,” the project’s raw honesty and sensual emotion cement her as one of today’s most compelling new voices.
South Korean rapper-singer-songwriter CAMO returns with her haunting new single and visual “Secret (비밀),” from her 7-track EP Secret. The minimalist R&B track thrives on mood and whispered seduction, while the cinematic video portrays raw stories of abuse, betrayal, and self-discovery. Interwoven through symbolic phone lines, CAMO offers solace through her confessions, echoing her mission to connect directly with fans and comfort those carrying their own secrets.