NEW SINGLES  —————————

By Status Ain't Hood Staff November 25, 2025
Nigerian, Juno-nominated R&B artist Zenesoul releases her new single “Focused On Me,” a soulful affirmation of growth and self-love. Blending classic soul warmth with modern R&B textures, the now Toronto-based singer/songwriter continues to prove why she’s one of today’s most compelling voices. With emotional honesty and vulnerability, Zenesoul transforms her lived experiences into healing soundscapes that uplift and deeply resonate with listeners.
By Status Ain't Hood Staff November 25, 2025
Faith Richards’ new single “Private Star” finds the rising R&B artist stepping fully into her sensual, cinematic power. Co-produced with Prairies, the track blends dark-pop allure with her signature journal-like storytelling, reflecting the duality of writing it in Paris in 2022 and finishing it in Dallas in 2025. Moody, magnetic, and brimming with confidence, “Private Star” offers a striking preview of her boundary-breaking sophomore album scheduled to arrive early next year.

NEW ALBUM 

By Status Ain't Hood Staff November 25, 2025
Nigerian singer-songwriter Tems has surprised fans with the release of her seven-song EP Love Is a Kingdom, arriving without prior announcement. Produced, composed, and written almost entirely by Tems herself, the EP blends R&B, Afrobeats, and alternative music, showcasing her soulful vocals and vivid songwriting. Exploring themes of love, personal strength, and growth, the record offers a dynamic mix of ballads and lively tracks, further cementing Tems’ status as a rising global star.

PREMIERING NOW

By Status Ain't Hood Staff November 25, 2025
Dallas-born, LA-based musician Liv.e continues her prolific streak with a new collaborative project: GENA, a duo formed with acclaimed Detroit drummer and producer Karriem Riggins. Short for “God Energy, Naturally Amazing” and partly inspired by Gina from the ’90s sitcom Martin, GENA debuts with the smooth, buoyant single “Circlesz.” Paired with a retro talk-show–style video directed by Mackai Sharp, the track blends playful bass, nimble drums, and Liv.e’s shape-shifting vocals into an irresistibly repeat-worthy groove.
By Status Ain't Hood Staff November 25, 2025
From her fifth studio album Destinée, French-Malian singer-songwriter Aya Nakamura drops the visuals for her new single “No Stress.” The nighttime video features a striking club scene where a stylish, self-assured Aya dances confidently under the glow of admiring onlookers. Among them is a potential love interest she playfully captivates, teasing him with sultry choreography and heartfelt lyrics that boldly lay out what it truly takes to win her heart.

NOW PLAYING  ———————————————————————

By Status Ain't Hood Staff November 21, 2025
Dexter in the Newsagent returns with her new single “i told ya,” a playful, late–’90s R&B-tinged track that reasserts her confidence and rising star power. The release caps a breakthrough year that included standout singles, a feature on Jim Legxacy’s Black British Music album, and packed live performances. Hand-picked by Blood Orange to support his November show at London’s Alexandra Palace Theatre, the South London artist continues her momentum with her third release of 2025, following “Special” and “Eighteen" which are all featured on her new album Time Flies.
By Status Ain't Hood Staff November 21, 2025
Ne-Yo launches his country-inspired era with the release of “Simple Things,” arriving Friday on the 20th anniversary of his breakout No. 1 hit “So Sick.” Produced by Dave Cohen and Young Lan and recorded in Nashville, the single reflects the singer’s focus on “the things that really matter in life,” including family, faith, and meaningful music. Ne-Yo debuted the track live during his first-ever Grand Ole Opry performance on Thursday, calling the milestone a “bucket list” moment as he embraces a bold new artistic reinvention.
By Status Ain't Hood Staff November 21, 2025
Grammy-nominated singer and songwriterElijah Blake returns with “Glass House,” a vulnerable new single. The track explores a relationship slowly fracturing under miscommunication, insecurity, and unspoken truths. Blake moves between tender reflection and raw frustration as he asks, “Are we falling outta love?” Its lyrics capture the exhausting push-and-pull of two people hurting each other while trying to stay connected, highlighted by striking lines like “Tough love too much, not enough white gloves, just hurt feelings.”
By Status Ain't Hood Staff November 21, 2025
De La Soul’s Cabin in the Skyarrives as a powerful and emotional final chapter for the legendary trio, recorded before the 2023 passing of Dave (Trugoy The Dove). Their first album since 2016, the 20-track project blends weary warmth with inventive transitions, cinematic orchestration, and standout contributions from Nas, Q-Tip, Slick Rick, Pete Rock, and DJ Premier. Highlights include the superb lead single “The Package” and the poignant “Different World,” as the group honors Dave’s legacy with moving reflections on grief, memory, and unbreakable brotherhood.
By Status Ain't Hood Staff November 21, 2025
Ron E unveils the official video for his new single “Still On My Mind,” featuring Fabolous. The cinematic Gerard Victor–directed visual blends glossy nighttime shots and intimate close-ups to amplify Ron’s emotional storytelling and Fabolous’ smooth delivery. The track appears on Ron’s debut album Let Me Explain. . Following a Grammy win and major songwriting credits, Ron E continues solidifying his rise as one of R&B’s most exciting new voices.
By Status Ain't Hood Staff November 19, 2025
Boluwatife “Champz” Balogun, the 14-year-old son of Afrobeats icon Wizkid, makes a bold entrance with his debut EP Champion’s Arrival. Released on November 11, the five-track project soared to No. 1 on Apple Music Nigeria within five hours, making him the youngest artist to top the chart. Blending Afrobeats rhythms with UK grime, the EP highlights Champz’s solo confidence and has already charted in over 30 countries with millions of streams.
By Status Ain't Hood Staff November 19, 2025
Funk/Jazz trio Soulive’s “Flowers at Your Feet,” featuring Grammy winner Van Hunt, is a soulful, psych-funk reflection recorded under Iceland’s endless summer light at Flóki Studios. As the trio’s second single from their upcoming album Flowers , the track showcases their telepathic chemistry and rich lineage of influences, elevated by Hunt’s kaleidoscopic vocals. Produced and engineered by Alan Evans, the song honors musical greats while marking Soulive’s powerful return.
By Status Ain't Hood Staff November 19, 2025
Pierre Anthony’s “Love You” arrives as a warm, modern pop-love anthem capturing two people falling deeply for one another. The New York–born soulful vocalist, known for channeling the timeless spirit of 50s, 60s, and 70s R&B, brings the song to life in a beautifully directed music video from his album In My Feelings. Co-directed with Reidge Johannes, the visual highlights tender glances, dreamy romance, and the emotional richness that defines Anthony’s sound.
By Status Ain't Hood Staff November 19, 2025
British singer Nia Smith’s new single “Limit” pairs cool conviction with soulful clarity as she confronts the boundaries of love. Sampling James Blake’s “Limit to Your Love,” the track blends bluesy piano and steady percussion while she questions her partner’s behavior and signals an impending ending. After a year of revisions, Smith says the song speaks for those ready to let go, adding to a breakout year of major performances and her debut EP.
By Status Ain't Hood Staff November 19, 2025
Yemi Alade returns with “Shawa Shawa (Ashawo),” a vibrant and evocative new single that highlights her unmistakable pan-African star power. Featuring fellow Nigerian vocalist Fave, the track is already generating major buzz online thanks to its uplifting energy and irresistible groove. With her Grammy-nominated pedigree and deep cultural roots, Alade delivers another must-add anthem for fans of feel-good, high-spirited music.

NEWS & NOTES


By Status Ain't Hood Staff November 25, 2025
Reggae legend and actor Jimmy Cliff, known for classics like “Many Rivers to Cross,” “You Can Get It If You Really Want,” and “Vietnam,” has died at 81. His wife, Latifa Chambers, confirmed Monday that Cliff died from a seizure followed by pneumonia. In a message posted to his social media accounts, his family thanked fans worldwide for the unwavering support that sustained him throughout his six-decade career. Born James Chambers in Jamaica’s Saint James parish, Cliff became a defining voice of the island’s emerging music scene in the 1960s. His breakthrough extended beyond music with his starring role in the 1972 film The Harder They Come, a cultural landmark that helped introduce reggae to global audiences. Though initially slow at the box office, the film and its soundtrack became touchstones of Jamaican identity, influencing generations of artists and cementing Cliff as one of reggae’s most important ambassadors. Cliff’s career spanned collaborations with the Rolling Stones, Wyclef Jean, Sting, and Bruce Springsteen, along with two Grammy wins, induction into the Rock and Roll Hall of Fame, and Jamaica’s Order of Merit. His songs were covered by artists as varied as John Lennon, Cher, and UB40, while political movements and international fans embraced his anthems of resilience. Even in his later years, he continued recording and performing, leaving behind a global legacy rooted in pride, perseverance, and the transformative power of reggae music.
By Status Ain't Hood Staff November 25, 2025
Migos rapper Offset is once again at the center of controversy after Miami-based Instagram model Jordyn Gorr accused him of plotting against New England Patriots wide receiver Stefon Diggs. Gorr claims Offset sought revenge after reports that Diggs recently welcomed a baby with Offset’s estranged wife, Cardi B. She posted screenshots of alleged messages between herself and the rapper, accusing him of pressuring her to help “set up” the NFL star and claiming he had “violated” her. According to Gorr, the alleged exchange took place on November 16, with Offset reportedly calling her an “Opp ass n***a” and demanding information on Diggs. However, a source close to Offset dismissed the accusations in a statement to TMZ Hip Hop, saying Gorr “has an ongoing beef with Set” and is attempting to escalate the situation. The insider insisted the dispute has “no connection to Diggs.” Offset has yet to issue a direct public response regarding Gorr’s claims. The allegations follow a turbulent stretch for the rapper, who deactivated his Instagram account after controversy over a now-deleted post appearing to reference Cardi B’s baby. Offset later denied posting the story, calling it fabricated. Meanwhile, Cardi B accused him of ongoing harassment, writing in a now-removed tweet that she has felt “in danger” and urged him to “leave me tf alone.” The unfolding drama continues to draw widespread attention as tensions among the involved parties remain unresolved.
By Status Ain't Hood Staff November 25, 2025
NBC is pushing back against Sean “Diddy” Combs’ $100 million defamation lawsuit, arguing that The Making of a Bad Boy could not have damaged the music mogul’s reputation because, in the network’s view, his public downfall was already self-inflicted. In a newly filed motion to dismiss, highlighted by AllHipHop, NBC points to Combs’ own statements at his federal sentencing, where he was partially convicted on sex trafficking and racketeering charges, as evidence that he acknowledged destroying his career long before the documentary aired. At sentencing, Combs told the judge, “Because of my decisions, I lost my freedom… I lost my career. I totally destroyed my reputation.” NBC argues this admission directly undermines the lawsuit’s core premise, insisting the documentary did not cause reputational harm he had already publicly claimed. However, Combs’ team says the network is mischaracterizing the remark and avoiding the real issue, whether the film was produced responsibly. His publicist, Juda Engelmayer, told VIBE that the lawsuit challenges NBC’s publication of allegations that were “factually unsupported,” contradicted by official records, or sourced from unreliable individuals. Filed in February 2025, the lawsuit accuses NBCUniversal of acting “maliciously and recklessly” by airing claims that portrayed Combs as a near-demonic figure and linked him without evidence to the deaths of Kim Porter, The Notorious B.I.G., and Heavy D. Combs’ attorneys say the film sensationalized unverified accusations, prioritizing speed and shock value—supported, they argue, by the producer’s own admission of a rushed turnaround. A judge has not yet ruled on NBC’s motion to dismiss as the high-profile legal battle continues to unfold.
By Status Ain't Hood Staff November 21, 2025
Nicki Minaj’s latest legal challenge escalated this week after her longtime attorney, Judd Burstein, abruptly withdrew from representing her in a $10 million defamation lawsuit refiled in New York. Burstein, who previously secured the case’s dismissal in New Jersey, said he declined to take it on again, emphasizing that his decision was not tied to the merits of the claims. He reiterated that he still holds “great affection and respect” for Minaj, even as speculation grows over the timing of his departure. The lawsuit, brought by Tameer Peak, stems from comments Minaj allegedly made during an April 2024 Stationhead broadcast, including calling Peak “one sandwich short of a picnic” and implying he receives government assistance. Peak argues the remarks subjected him to public humiliation. Minaj, now without the attorney who helped her defeat several major suits in recent years, must defend the renewed case as scrutiny around her public behavior continues to draw attention. In Burstein’s absence, The Northstar Group (owned by entertainment attorney Londell McMillan) has stepped in temporarily, noting the withdrawal came without warning. The firm requested a 45-day stay so Minaj can retain new counsel and prepare her response. Representatives stressed that Minaj and her company fully intend to fight the allegations as the high-profile case moves forward in New York.
By Status Ain't Hood Staff November 21, 2025
Grammy-winning rapper Prakazrel “Pras” Michel of the Fugees was sentenced Thursday to 14 years in federal prison for illegally channeling millions in foreign money into former President Barack Obama’s 2012 reelection campaign. Michel, 52, declined to speak before US District Judge Colleen Kollar-Kotelly handed down the sentence. His 2023 conviction on 10 counts—including conspiracy and acting as an unregistered foreign agent—followed a high-profile trial featuring testimony from Leonardo DiCaprio and former Attorney General Jeff Sessions. Prosecutors argued that federal sentencing guidelines supported a life sentence, accusing Michel of betraying the United States “for money” and lying “unapologetically” to advance his schemes. They urged the court to impose a punishment reflecting what they described as the severity of his crimes, the national security risks involved, and the scope of his alleged greed.  Michel’s attorney, Peter Zeidenberg, called the 14-year sentence “completely disproportionate,” noting that the defense had sought just three years. In court filings, Michel’s team argued that a life sentence would have been “absurdly high,” comparing such penalties to those given to terrorists and drug cartel leaders. They criticized prosecutors’ interpretation of sentencing guidelines as extreme and vowed to appeal both the conviction and the sentence.
By Status Ain't Hood Staff November 19, 2025
Singer D4vd (real name is David Anthony Burke), has been identified as a suspect in the death of a 15-year-old girl whose remains were discovered in a vehicle registered to him, according to an LAPD source with direct knowledge of the investigation. The body of Celeste Rivas Hernandez was found Sept. 8 inside the trunk of a Tesla at a Los Angeles impound lot. Police said the vehicle had been parked for several weeks before it was towed, and the teen may have been deceased for an extended period prior to the discovery. Authorities believe the girl likely died in the spring, and the LAPD source told NBC Los Angeles that Burke has not been cooperative with investigators. The source also suggested Burke may have received help in dismembering and disposing of the body. However, Burke has not been charged with any crime, and the cause and manner of death remain “deferred” as the Los Angeles County Medical Examiner continues its investigation. A spokesman for the singer previously said in September that he was “fully cooperating with authorities,” though his attorneys did not respond to requests for comment Tuesday evening. Celeste Rivas Hernandez had been reported missing from Lake Elsinore, California, and was last seen on April 5, 2024. Because the manner of death has not yet been determined, police said it remains unclear whether any criminal culpability exists beyond the concealment of the body. The LAPD’s Robbery-Homicide Division continues to investigate, stating it is examining every aspect of the case to uncover the truth and pursue justice for the teen and her family.
By Status Ain't Hood Staff November 19, 2025
Usher has filed a lawsuit against one of his longtime collaborators, producer Bryan-Michael Cox, along with several entertainment industry figures, over a loan tied to a restaurant project in Atlanta that never materialized. According to the lawsuit filed on Nov. 14, Cox (who helped craft some of Usher’s biggest hits, including “U Got It Bad” and “Burn”) approached the singer in 2024 about investing in a restaurant and lounge called Homage ATL. Entertainment lawyer Alcide Honoré and industry officials Keith Thomas and Charles Hughes are also named in the complaint. Court documents reveal that while Usher declined to invest as a partner, he agreed to loan the group $1.7 million, wiring the funds in January with the expectation that they would secure a property for the venue. Months later, when no real estate had been purchased, Usher requested the money be returned. He received $1 million in August but has yet to recover the remaining $700,000. Usher claims Honoré told him repayment was “not that easy” because the funds had been used for “other purposes,” though no explanation has been provided for how the money was spent. Usher is now seeking $4.9 million in damages, representing $700,000 for each claim listed in the filing. The legal dispute comes as the R&B icon continues to expand his ventures outside of music. In a recent conversation with TMZ, Usher hinted at plans for a clothing line and shared that he’d love to see Metallica take the stage at a future Super Bowl halftime show.
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EDITORIAL


By Cleon Alert October 9, 2025
When the NFL announced that Bad Bunny would headline the Super Bowl LX halftime show on February 8, 2026, it should have been a celebratory moment: a recognition of one of the most globally successful and culturally significant artists of the modern era. Instead, the reaction from conservative corners of America has been nothing short of absurd. From politicians to pundits to former football players, the outrage over a Puerto Rican superstar performing at America’s biggest sporting event reveals more about their own insecurities and biases than it does about Bad Bunny or his music. The outrage machine kicked into overdrive almost immediately. Just this Tuesday, Speaker of the House Mike Johnson called the NFL’s decision “terrible” and suggested 82-year-old Lee Greenwood should perform instead, as though nostalgia were the only valid form of patriotism. Recently, Fox Nation host Tomi Lahren embarrassed herself by claiming Bad Bunny “is not an American artist,” only to be reminded (on her own show) that Puerto Rico is part of the United States. Even Donald Trump jumped into the fray, claiming he’d “never heard of him,” a statement that says more about Trump’s cultural ignorance than about Bad Bunny’s reach. Hall of Famer Eric Dickerson also chimed in on the brouhaha, telling Bunny to “keep his ass away” from the Super Bowl if he doesn’t “like America.” Nonetheless it’s a pattern we’ve seen before: manufactured outrage cloaked in nationalism and cultural insecurity.

NEWS & NOTES


By Status Ain't Hood Staff November 25, 2025
Reggae legend and actor Jimmy Cliff, known for classics like “Many Rivers to Cross,” “You Can Get It If You Really Want,” and “Vietnam,” has died at 81. His wife, Latifa Chambers, confirmed Monday that Cliff died from a seizure followed by pneumonia. In a message posted to his social media accounts, his family thanked fans worldwide for the unwavering support that sustained him throughout his six-decade career. Born James Chambers in Jamaica’s Saint James parish, Cliff became a defining voice of the island’s emerging music scene in the 1960s. His breakthrough extended beyond music with his starring role in the 1972 film The Harder They Come, a cultural landmark that helped introduce reggae to global audiences. Though initially slow at the box office, the film and its soundtrack became touchstones of Jamaican identity, influencing generations of artists and cementing Cliff as one of reggae’s most important ambassadors. Cliff’s career spanned collaborations with the Rolling Stones, Wyclef Jean, Sting, and Bruce Springsteen, along with two Grammy wins, induction into the Rock and Roll Hall of Fame, and Jamaica’s Order of Merit. His songs were covered by artists as varied as John Lennon, Cher, and UB40, while political movements and international fans embraced his anthems of resilience. Even in his later years, he continued recording and performing, leaving behind a global legacy rooted in pride, perseverance, and the transformative power of reggae music.
By Status Ain't Hood Staff November 25, 2025
Migos rapper Offset is once again at the center of controversy after Miami-based Instagram model Jordyn Gorr accused him of plotting against New England Patriots wide receiver Stefon Diggs. Gorr claims Offset sought revenge after reports that Diggs recently welcomed a baby with Offset’s estranged wife, Cardi B. She posted screenshots of alleged messages between herself and the rapper, accusing him of pressuring her to help “set up” the NFL star and claiming he had “violated” her. According to Gorr, the alleged exchange took place on November 16, with Offset reportedly calling her an “Opp ass n***a” and demanding information on Diggs. However, a source close to Offset dismissed the accusations in a statement to TMZ Hip Hop, saying Gorr “has an ongoing beef with Set” and is attempting to escalate the situation. The insider insisted the dispute has “no connection to Diggs.” Offset has yet to issue a direct public response regarding Gorr’s claims. The allegations follow a turbulent stretch for the rapper, who deactivated his Instagram account after controversy over a now-deleted post appearing to reference Cardi B’s baby. Offset later denied posting the story, calling it fabricated. Meanwhile, Cardi B accused him of ongoing harassment, writing in a now-removed tweet that she has felt “in danger” and urged him to “leave me tf alone.” The unfolding drama continues to draw widespread attention as tensions among the involved parties remain unresolved.
By Status Ain't Hood Staff November 25, 2025
NBC is pushing back against Sean “Diddy” Combs’ $100 million defamation lawsuit, arguing that The Making of a Bad Boy could not have damaged the music mogul’s reputation because, in the network’s view, his public downfall was already self-inflicted. In a newly filed motion to dismiss, highlighted by AllHipHop, NBC points to Combs’ own statements at his federal sentencing, where he was partially convicted on sex trafficking and racketeering charges, as evidence that he acknowledged destroying his career long before the documentary aired. At sentencing, Combs told the judge, “Because of my decisions, I lost my freedom… I lost my career. I totally destroyed my reputation.” NBC argues this admission directly undermines the lawsuit’s core premise, insisting the documentary did not cause reputational harm he had already publicly claimed. However, Combs’ team says the network is mischaracterizing the remark and avoiding the real issue, whether the film was produced responsibly. His publicist, Juda Engelmayer, told VIBE that the lawsuit challenges NBC’s publication of allegations that were “factually unsupported,” contradicted by official records, or sourced from unreliable individuals. Filed in February 2025, the lawsuit accuses NBCUniversal of acting “maliciously and recklessly” by airing claims that portrayed Combs as a near-demonic figure and linked him without evidence to the deaths of Kim Porter, The Notorious B.I.G., and Heavy D. Combs’ attorneys say the film sensationalized unverified accusations, prioritizing speed and shock value—supported, they argue, by the producer’s own admission of a rushed turnaround. A judge has not yet ruled on NBC’s motion to dismiss as the high-profile legal battle continues to unfold.
By Status Ain't Hood Staff November 21, 2025
Nicki Minaj’s latest legal challenge escalated this week after her longtime attorney, Judd Burstein, abruptly withdrew from representing her in a $10 million defamation lawsuit refiled in New York. Burstein, who previously secured the case’s dismissal in New Jersey, said he declined to take it on again, emphasizing that his decision was not tied to the merits of the claims. He reiterated that he still holds “great affection and respect” for Minaj, even as speculation grows over the timing of his departure. The lawsuit, brought by Tameer Peak, stems from comments Minaj allegedly made during an April 2024 Stationhead broadcast, including calling Peak “one sandwich short of a picnic” and implying he receives government assistance. Peak argues the remarks subjected him to public humiliation. Minaj, now without the attorney who helped her defeat several major suits in recent years, must defend the renewed case as scrutiny around her public behavior continues to draw attention. In Burstein’s absence, The Northstar Group (owned by entertainment attorney Londell McMillan) has stepped in temporarily, noting the withdrawal came without warning. The firm requested a 45-day stay so Minaj can retain new counsel and prepare her response. Representatives stressed that Minaj and her company fully intend to fight the allegations as the high-profile case moves forward in New York.
By Status Ain't Hood Staff November 21, 2025
Grammy-winning rapper Prakazrel “Pras” Michel of the Fugees was sentenced Thursday to 14 years in federal prison for illegally channeling millions in foreign money into former President Barack Obama’s 2012 reelection campaign. Michel, 52, declined to speak before US District Judge Colleen Kollar-Kotelly handed down the sentence. His 2023 conviction on 10 counts—including conspiracy and acting as an unregistered foreign agent—followed a high-profile trial featuring testimony from Leonardo DiCaprio and former Attorney General Jeff Sessions. Prosecutors argued that federal sentencing guidelines supported a life sentence, accusing Michel of betraying the United States “for money” and lying “unapologetically” to advance his schemes. They urged the court to impose a punishment reflecting what they described as the severity of his crimes, the national security risks involved, and the scope of his alleged greed.  Michel’s attorney, Peter Zeidenberg, called the 14-year sentence “completely disproportionate,” noting that the defense had sought just three years. In court filings, Michel’s team argued that a life sentence would have been “absurdly high,” comparing such penalties to those given to terrorists and drug cartel leaders. They criticized prosecutors’ interpretation of sentencing guidelines as extreme and vowed to appeal both the conviction and the sentence.
By Status Ain't Hood Staff November 19, 2025
Singer D4vd (real name is David Anthony Burke), has been identified as a suspect in the death of a 15-year-old girl whose remains were discovered in a vehicle registered to him, according to an LAPD source with direct knowledge of the investigation. The body of Celeste Rivas Hernandez was found Sept. 8 inside the trunk of a Tesla at a Los Angeles impound lot. Police said the vehicle had been parked for several weeks before it was towed, and the teen may have been deceased for an extended period prior to the discovery. Authorities believe the girl likely died in the spring, and the LAPD source told NBC Los Angeles that Burke has not been cooperative with investigators. The source also suggested Burke may have received help in dismembering and disposing of the body. However, Burke has not been charged with any crime, and the cause and manner of death remain “deferred” as the Los Angeles County Medical Examiner continues its investigation. A spokesman for the singer previously said in September that he was “fully cooperating with authorities,” though his attorneys did not respond to requests for comment Tuesday evening. Celeste Rivas Hernandez had been reported missing from Lake Elsinore, California, and was last seen on April 5, 2024. Because the manner of death has not yet been determined, police said it remains unclear whether any criminal culpability exists beyond the concealment of the body. The LAPD’s Robbery-Homicide Division continues to investigate, stating it is examining every aspect of the case to uncover the truth and pursue justice for the teen and her family.
By Status Ain't Hood Staff November 19, 2025
Usher has filed a lawsuit against one of his longtime collaborators, producer Bryan-Michael Cox, along with several entertainment industry figures, over a loan tied to a restaurant project in Atlanta that never materialized. According to the lawsuit filed on Nov. 14, Cox (who helped craft some of Usher’s biggest hits, including “U Got It Bad” and “Burn”) approached the singer in 2024 about investing in a restaurant and lounge called Homage ATL. Entertainment lawyer Alcide Honoré and industry officials Keith Thomas and Charles Hughes are also named in the complaint. Court documents reveal that while Usher declined to invest as a partner, he agreed to loan the group $1.7 million, wiring the funds in January with the expectation that they would secure a property for the venue. Months later, when no real estate had been purchased, Usher requested the money be returned. He received $1 million in August but has yet to recover the remaining $700,000. Usher claims Honoré told him repayment was “not that easy” because the funds had been used for “other purposes,” though no explanation has been provided for how the money was spent. Usher is now seeking $4.9 million in damages, representing $700,000 for each claim listed in the filing. The legal dispute comes as the R&B icon continues to expand his ventures outside of music. In a recent conversation with TMZ, Usher hinted at plans for a clothing line and shared that he’d love to see Metallica take the stage at a future Super Bowl halftime show.
Show More

THROWBACK THURSDAY


By Status Ain't Hood Staff November 21, 2025
This Throwback Thursday, we’re diving into Sade’s 1992 classic “No Ordinary Love,” a song that cemented its place as one of the most evocative and meticulously crafted R&B slow burns of the era. Upon release, critics praised its cool sophistication and emotional depth. Billboard’s Larry Flick lauded Sade’s “famously smoky voice” floating over a spare but sensual arrangement, while Entertainment Weekly called it a surge of emotion from music’s “high priestess of understated cool.” Critics across the board, from The Guardian to Music & Media, celebrated the hypnotic beats, languid groove, and subtle guitar flourishes that elevated the track into something both stylish and deeply affecting. Over the decades, “No Ordinary Love” has only grown in stature. Retrospective reviews describe it as intoxicating, intimate, and devastating in its portrayal of elusive love. Albumism praised its haunting intro, while The Guardian called the song a pinnacle of Sade’s opulent sound design on Love Deluxe. Vulture ranked it second among all Sade tracks, noting how it blurs the line between flawless romance and heartbreak, wrapped in deep-sea synths and an almost accusatory guitar. Its worldwide chart success mirrored the acclaim, landing top-20 placements in multiple countries and climbing several U.S. Billboard charts, eventually becoming one of Sade’s most recognizable hits. The song’s legacy continues to resonate through its award wins, iconic music video, and enduring cultural influence. Directed by Sophie Muller, the video’s imagery of Sade as a mermaid-turned-bride searching for a lost love became an unforgettable visual companion to the track’s emotional depth. “No Ordinary Love” went on to earn a Grammy, multiple ASCAP and BMI awards, and spots on prestigious best-of lists from Complex, Spin, Pitchfork, and Rolling Stone. More than thirty years later, the song remains what its title promises—no ordinary love song, but a timeless masterpiece that still captivates the heart.
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ALBUM REVIEW


By Joy Nkirote October 24, 2025
Odumodublvck’s Industry Machine hits like a storm: loud, confident, and impossible to ignore. The Nigerian rapper and songwriter from Abuja, known for fusing drill, grime, and Afrobeats, returns with his ninth project: a bold declaration of who he is and where he stands. Across 23 tracks, this project moves with purpose; the sound is raw yet intentional, every verse charged with conviction. From the opening title track, Odumodublvck sounds like a man done being underestimated, his flow sharp and unrelenting. The production matches his fire: layered, dynamic, and built to amplify his energy. “Grooving” featuring Davido and Seun Kuti bursts with joyful confidence, while “Unaware” with Pa Salieu lands heavier, exposing the harsh truths of the industry. What makes Industry Machine even more powerful is its honesty. Odumodublvck doesn’t sugarcoat anything, he lays bare his triumphs, frustrations, and the relentless grind behind them. On “Baby Reindeer,” he softens, revealing a more introspective side, while “Banza Boy” pulls back to the streets, pulsing with hunger and defiance. You can feel both pride and pain in his delivery, that delicate balance of vulnerability and bravado giving the album its pulse. Indeed, Industry Machine is more than an album, it’s Odumodublvck’s story in motion. A fearless expression of identity, ambition, and resilience, it captures a pivotal moment in African hip-hop’s evolution and reminds listeners that greatness often rises from grit.

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OUTSIDE THE STUDIO

By Status Ain't Hood Staff November 17, 2025
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By Status Ain't Hood Staff November 5, 2025
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By Status Ain't Hood Staff October 15, 2025
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By Status Ain't Hood Staff September 19, 2025
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THE DROP ZONE  ———————————————————————

By Status Ain't Hood Staff November 17, 2025
RUBII returns with Feeluh, a captivating new EP that cements her place as one of the most exciting voices in contemporary R&B. Blending neo-soul, and alt-pop textures, the UK artist delivers intimate, harmonizing vocals that feel both nostalgic and modern.Feeluhexplores themes of sudden success, growth, and betrayal with grounded, conversational lyricism. Following over 250 million streams, breakout singles like “Twin Flames,” and a buzzworthy Glastonbury performance, RUBII steps boldly into her next chapter with the confident, self-assured lead track “Confidence.”
By Status Ain't Hood Staff November 17, 2025
Elijah Blake unveils the stirring video for “Shouldn’t Wanna Call,” a raw, late-night confession that finds the Grammy-winning singer-songwriter caught between closure and longing. Floating over lush production, his vocals trace the ache of letting go while still clinging to memories of a love that shaped him. As the third single from his upcoming album THE GEMINI, the track deepens Blake’s exploration of emotional duality, following the soulful singles “White Rum” and “Work It Out.”
By Status Ain't Hood Staff November 17, 2025
Buffalo emcee-producer Che Noir teams up with fellow Buffalo rapper 7xvethegenius for the “Not Me” official music video, delivering sharp, uncompromising bars over Chup’s gritty, mid-’90s–inspired production. The track showcases both artists’ layered verses, driven by heart, hustle, and unwavering vision. Serving as a powerful glimpse into their highly anticipated collaborative album, the record highlights why Che Noir and 7xvethegenius are considered two of the strongest voices in rap today.
By Status Ain't Hood Staff November 17, 2025
Tanzanian artist Diamond Platnumz’s “Sasampa” is a vibrant Amapiano anthem that celebrates the power of African collaboration. Featuring rappers/singers Focalistic, Uncool MC, Silas Africa, and Xduppy, the track blends lush rhythms, soulful energy, and cultural fusion. Released ;ast month, it stands out as a true party starter and a shining example of how diverse African sounds continue to unite artists and audiences across the continent.
By Status Ain't Hood Staff November 17, 2025
Kah-Lo returns from a brief sabbatical with “Somersaults,” a retro-tinged, energetic single that showcases her singular voice and emotional honesty. Known for hits like “Fake ID,” the Grammy-nominated Nigerian house artist steps into a more vulnerable era, exploring the disorienting pull of affection and the ways it can push us beyond our usual limits. With playful yet expressive vocals, she turns heartache into something bold, fun, and ultimately empowering.
By Status Ain't Hood Staff November 14, 2025
Justin Radford, a Clarksville, Tennessee singer, songwriter, and producer whose church upbringing and influences like Kirk Franklin and Pharrell. offers up his new holiday single, “The Greatest Gift,” while deliveromg a heartfelt reminder that Jesus is the true reason for the season.
By Status Ain't Hood Staff November 14, 2025
Jacquees drops his new single “Let You Go” featuring K Camp, a smooth preview of his upcoming album Mood 2. Blending silky R&B with Amapiano grooves, the track showcases his vocal finesse over deep percussion and hypnotic rhythms. The Atlanta duo continues their hitmaking streak, while Jacquees builds on the success ofBaby Making, which topped the iTunes R&B/Soul charts.
By Status Ain't Hood Staff November 14, 2025
Following the release of her 2nd album Still Over It(2021), singer/songwriter Summer Walker spent the next two years collaborating widely before releasing her EPClear 2: Soft Lifein 2023 and beginning work on her third studio album. In October 2024, she confirmed the final installment of herOver Ittrilogy, later titledFinally Over It, introducing themes of self-love and growth split into two parts: “For Better” and “For Worse.” Inspired by Anna Nicole Smith and early-2000s pop culture aesthetics, the album rollout included teasers, skits, an escape-room event, and a Pac-Man–style video game.Finally Over Itarrives November 14, with 18 tracks and multiple collaborators that include Chris Brown and Latto..
By Status Ain't Hood Staff November 14, 2025
R&B songstress Tweet makes a graceful return with the video for her new single “Toot Toot,” setting a warm, vintage vibe that invites fans straight into her world. The visual complements the song’s smooth, reflective feel as she distances herself from a man who isn’t ready for her love. Serving as the first taste of her upcoming album Memoirs of a Southern Hummingbird, “Toot Toot” marks a confident, soulful comeback.