NEW SINGLES —————————
Rapper/streamer DDG teams up with Polo G for their new single “Not Friendly" The track blends introspection and sharp lyricism, exploring distrust, mental health, and fame’s pressures. Buzz for the song grew after a viral preview surpassed one million views. The release follows DDG’s recent projects and builds momentum ahead of his upcoming Blame the Chat tour, further cementing his rising influence in hip-hop.
Florida to ATL R&B group B5 continues its R&B legacy with the new single “E.T.A.,” released during a busy year that includes a North American tour. Powered by Motion 6 Collective, led by Devyne Stephens, the track blends the group’s signature harmonies with a polished, summer-ready hip-hop soul sound. “E.T.A.” captures the excitement of anticipation, delivering a catchy, melody-driven anthem centered on the thrill of waiting to reunite.
NEW ALBUM
Eric Roberson releases his 18th studio album, “Beautifully All Over the Place,” now via his Blue Erro Soul Music label. Reinforcing his “King of Indie-Soul” status, the project features singles like “Where You Gonna Go” with BJ The Chicago Kid and “Over You, Under You” with Najee and Jayshawn Champion. Roberson also released a companion book of the same title, available exclusively on his official website.
PREMIERING NOW
Emerging Maryland rapper Black Fortune continues his rise with the video for “Buy What U Want” featuring BIA, from his EP Road to Osshland III. Set in a moody warehouse, the visual highlights their chemistry and polished styles. Directed by Jake The Shooter, it reflects themes of romance and success. Fortune, gaining a cult following, also recently collaborated with Denzel Curry, building momentum toward his anticipated debut album.
India Shawn returns with the vibrant video for “Rain On Me,” blending smooth rhythms with energetic instrumentation. The Los Angeles-based artist, who released several singles in 2025, delivers sultry, visually engaging scenes that elevate the track and shows that in 2026 she hasn't lost a step. Following her acclaimed 2022 album Before We Go (Deeper), this new release builds anticipation for a potential full-length project, showcasing India's signature soulful sound and artistic growth.
NOW PLAYING ———————————————————————
Seventeen-year-old Haitian–New Zealand artist Imani-J returns with “Talk Is Cheap,” a vibrant Afrofusion single blending afrobeat rhythms and melodic vocals while emphasizing action over words. The track features a charismatic verse from Bam Marley (son of Ziggy, grandson to Bob) and emerged from a spontaneous LA studio session. With its infectious groove, the song strengthens her rising presence in Afrofusion and R&B.
Jamaican/British singer Rochelle Jordan has released a stylish new video for “Doing It Too,” a standout track from her 2025 album Through The Wall, directed by choreographer Fullout Cortland. Featuring sleek dance sequences against bold, colorful backdrops, the visual highlights Jordan’s effortless confidence and evolving artistry. In a press release for the visual Rochelle described the video as “confidence in motion,” adding that its polished execution enhances the song’s growing momentum and vibrant, glamorous energy.
Roc Nation singer/songwriter Victory Boyd returns with the thought-provoking single “What If Love Was Free?” from her new album Confessions of a Lonely Girl. Spanning over seven minutes, the track blends rich instrumentation with sharp social critique, questioning love as currency in a world driven by validation and insecurity. With poignant lyrics and a powerful gospel-tinged conclusion, Boyd delivers a stirring message about unconditional love in contrast to society’s transactional nature.
South African singer Jimmy Nevis returns with the powerful new video for “PREY,” an alternative-pop release confronting gender-based violence in South Africa. Blending atmospheric production with urgent storytelling, the track draws inspiration from advocacy movements like Women for Change SA and is paired with striking protest-driven visuals. Serving as both reflection and resistance, “PREY” will also make its live debut at the Cape Town International Jazz Festival.
French rapper Jeune Morty spotlights his genre-blurring style on Jeune Morty Vol. 1, a project that weaves global influences into his hyperlocal “swag rap” identity. Drawing from coupé-décalé, hip-hop, and poetic elements, the French-Ivorian artist crafts a raw yet fluid sound inspired in part by Young Thug. With standout tracks like “Katy Perry” and “Shrooms,” the 20-track album positions Morty as a rising force within France’s dynamic SoundCloud rap scene.
Kanye West, now going by Ye, returned on March 27 with his 12th studio album Bully , marking his first solo effort since Donda 2 . Released through Gamma, the project arrives amid ongoing controversy surrounding the rapper’s past antisemitic remarks and misconduct allegations. Ahead of the release, Ye issued a public apology via a full-page The Wall Street Journal ad. Featuring appearances from Travis Scott, CeeLo Green and others, the album had a brief rollout on YouTube following a Los Angeles listening event, continuing a turbulent yet closely watched chapter in his career.
AWINNAH, a Nigerian-born Afro-soul and folk artist, taps into deep emotion on her new single "Remember", a soft and heartfelt record that instantly transports listeners to moments and memories that linger. Rooted in spirituality, the song serves as a reminder of God’s eternal fatherhood for those called by His name, blending faith with personal reflection.
Canadian rapper Preme teams up with R&B vet Bryson Tiller on "Countdown", a smooth, cohesive track that plays to both artists’ strengths. The collaboration feels natural, with Preme steering the record’s direction through his polished production and delivery, while Tiller layers in his signature melodic touch. Their styles blend effortlessly, creating a laid-back yet engaging vibe that stays consistent from start to finish. “Countdown” highlights the chemistry between the two, resulting in a clean, well-balanced record that fits comfortably within both of their sonic lanes.
African superstars Angélique Kidjo and AYRA Starr shine on their new collaboration, “Aye Kan,” a vibrant track that underscores Africa’s growing influence on the global music scene. Serving as the lead single from Kidjo’s upcoming 19th album, HOPE (out April 24), the song seamlessly bridges two generations of African artistry. Rooted in their shared heritage from the Benin Republic and Yoruba culture, “Aye Kan” blends tradition with contemporary flair. The accompanying video, directed by Emmanuel Agbeble, captures the artists’ unity and genuine friendship, as they come together to deliver the groovy, uplifting track.
Rising ATL singer $yn brings emotional depth to the video for “Mixed Signals,” a self-written and produced track that captures the push and pull of desire and confusion. Rooted in traditional R&B, the song pairs vulnerable storytelling with tight phrasing, while its neo-soul production (featuring noir-styled chords, warm bass, and atmospheric textures) creates a moody, late-night vibe that perfectly mirrors its introspective tone. The video seen here shares the same emotional m.o.
When Usher speaks on legacy, it carries weight. After all, if anyone knows anything about legacy it's Usher, a man who since he released his self-titled debut album at the age of 15 in 1994, has gone on to win 8 Grammy's while becoming one the world's most recognized contemporary R&B singers and pop musicians. So when Usher speaks, people listen, which makes his recent defense of former mentor Sean "P. Diddy" Combs, somewhat disturbing Indeed, in an interview last week with Forbes , talking about his own legacy as a an artist, businessman, and father, Usher spoke out in defense of the recently convicted of two counts of transportation of prostitution Combs. Describing for former head of Bad Boy Records as “misrepresented” and worthy of recognition, comments that reflected a deeply personal truth rooted in mentorship and early career influence. As for Usher, Diddy is not just a headline or a conviction; but a formative figure, a teacher during a critical moment in both his life and career. A perspective that's certainly valid as personal experience often complicates public narratives, especially when it comes to icons who helped shape culture and opportunity for others.
Released in 1993, U.N.I.T.Y. by Queen Latifah remains one of hip-hop’s most powerful anthems addressing respect for women. Featured on her third album Black Reign, the track tackled street harassment, domestic violence, and misogynistic language in both society and rap culture. Built around a sample of “Message from the Inner City” by The Crusaders and interpolating Unity, the song delivered a bold message that resonated widely—so much so that many radio stations aired it uncensored despite its provocative lyrics. “U.N.I.T.Y.” became a defining moment in Latifah’s career, earning her the 1995 Grammy Award for Best Rap Solo Performance and peaking at No. 23 on the Billboard Hot 100. It also found success on the rap and R&B charts, solidifying its place as her biggest crossover hit. Critics praised the track’s fearless stance, while audiences connected with its unapologetic demand for respect, punctuated by the unforgettable refrain, “Who you callin’ a bitch?!” The song’s cultural reach extended beyond music, even appearing on Latifah’s hit sitcom Living Single during its original run. The music video added an emotional layer to the song’s impact, with Latifah riding a motorcycle in tribute to her late brother, Lance, who died in 1992. Filmed in Newark, New Jersey, it featured a cameo from Naughty by Nature and showcased the same raw authenticity that defined the track. Decades later, “U.N.I.T.Y.” continues to resonate, recognized by outlets like Pitchfork as one of the greatest songs of the ’90s and standing as a timeless call for dignity and empowerment.
Jack Harlow returns with his fourth album Monica, a project that marks a total departure from the Kentucky-bred rapper’s usual blend of witty bars, introspection, and playful bravado. Best known for rap hits like “Whats Poppin,” “First Class,” and “Loving on Me,” here we find Harlow shifting gears completely for R&B, while aiming for a more vulnerable and emotionally transparent approach centered on past (and present?) relationships. And while the stylistic pivot is ambitious, it has also drawn criticism, with some listeners and critics questioning both its authenticity and creative direction. At just nine tracks, Monica plays like a concise but uneven experiment that often feels underdeveloped as well. A recurring issue is its lack of depth (both lyrically and emotionally) as many moments come across as forced rather than genuine. The production, though smooth and easy to digest, leans toward safe, ambient grooves that feel more like background music for the local mall than fully realized compositions, lacking the dynamism needed to elevate the project beyond surface-level listening. Tracks like “Lonesome,” “My Winter,” and “Move Along” show flashes of relatability, touching on themes of heartbreak, betrayal, and growth, but they ultimately blur together due to repetitive execution. The opening track on Monica (a title that Harlow himself said recently wasn't necessarily a real person as opposed to a name he 'loved' simply due to its sound), “Trade Places,” offers a polished, groove-driven sound, yet feels overly calculated in its attempt to channel neo-soul influences. The track “All My Friends” leans on a corny theme of falling in love too deeply, paired with a melodic yet unruffled hook that should have been left on the cutting room floor. Meanwhile, songs like “Say Hello” and “Prague” hint at greater range, but aren’t strong enough to carry the album’s overall weight. In the end, Monica is an easy listen that struggles to leave a lasting impression, falling short in originality, variety, and the emotional authenticity it aims to deliver. Standout Tracks: "Trade Places", "Say Hello", "Living Alone" Rating: 5/10 - Simon P Williams
SEARCH
The legendary Oakland collective Hieroglyphics was officially inducted into the National Hip Hop Museum Hall of Fame yesterday in Washington, DC, marking a major milestone for one of underground rap’s most influential crews. Founded by Del the Funky Homosapien, the group includes key figures such as Casual, Pep Love, and the members of Souls of Mischief—Phesto, A-Plus, Opio, and Tajai—along with DJ DJ Toure and producer Domino. Known for their independence and loyal fanbase, the crew built their legacy through grassroots promotion, early internet engagement, and their own “Hierocasts.” At the center of Hieroglyphics’ identity is their unmistakable three-eyed face logo, a symbol that has become synonymous with underground hip-hop culture. Created by Del, the design is based on the Mayan numeral for eight and reflects both artistic influence and deeper consciousness (a “third eye” perspective that aligns with the group’s lyrical themes. Over the years, the logo has appeared across album covers, merchandise, and streetwear, growing into a cult emblem recognized far beyond their core fanbase. Del once noted his surprise at its reach, recalling sightings of the symbol in comics, music videos, and even tattoos worn by devoted fans. The Hall of Fame induction not only honors Hieroglyphics’ music (from albums like 3rd Eye Vision and Full Circle) but also celebrates the cultural power of their branding and message. In an era where major label backing often dictated success, the crew carved out their own lane, proving that authenticity and creative control could build a lasting movement. With their logo now cemented as one of hip-hop’s most enduring symbols, Hieroglyphics’ induction serves as recognition of both their artistic contributions and their influence on independent rap culture.
OUTSIDE THE STUDIO
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THE DROP ZONE ———————————————————————
After her breakout moment alongside Baby Keem on his hit single “Good Flirts,” Momo Boyd is confidently stepping into her own spotlight. The Infinity Song vocalist officially launched her solo career with the critically acclaimed single “Strong” earlier this month, embracing the wave of attention that followed her standout feature. Now she continues that momentum with the release of the video for “She’s a Sweetheart,” a visually striking piece co-directed by Boyd and Emmanuel Porqui. Drawing inspiration from The Substance and the Dallas Cowboys Cheerleaders docu-series, the video explores the “impossible expectations” placed on women while highlighting the pressure to endure sacrifice with a smile, all wrapped in a vibrant, fun visual presentation.
Brooklyn-born singer/poet Aja Monet’s “Elsewhere,” featuring Meshell Ndegeocello and Georgia Anne Muldrow, is a soulful, spirit-led tribute inspired by the legacy of Sly Stone. Created shortly after news of Stone's passing, the song emerged organically, with Monet describing a divine energy guiding the process. Joined by collaborators who responded in perfect timing, the track reflects love, connection, and creative possibility. The official Jesse Boykins III-directed video mirrors this energy, capturing the song’s emotional depth and communal essence.
Nigerian singer/songwriter's Joeboy and Wizard Chan come together on Agaba Romantic , a cohesive and emotionally resonant joint EP that blends their distinct musical identities. The project effortlessly moves across moods while maintaining a strong, unified sound, merging Joeboy’s heartfelt, romance-driven lyricism with Wizard Chan’s culturally rooted, genre-fusing approach. This collaboration feels both introspective and sonically adventurous, pushing each artist into new creative territory. Adding further depth, the EP features standout guest appearances from Qing Madi and Braye, enhancing its rich, evolving Afrobeats tapestry.
Following the viral success of “Arike” and his recent Before We Became Strangers EP, Nigerian artist Kunmie returns with “Julie,” a track that highlights his artistic growth. Blending Yoruba melodies with an uptempo Afro-fusion sound, the song explores a more layered sense of attraction. With emotive vocals and vivid storytelling, Kunmie captures longing and intrigue while delivering a polished, radio-ready record suited for both intimate and lively settings.
Chicago-based singer Simone Green marks her debut with “Black Queen,” a powerful single that embodies resilience, reinvention, and self-definition. Released recently during Black History Month, the song honors Black womanhood with authenticity and grace. Inspired by her journey as a two-time breast cancer survivor, Green delivers a moving anthem of strength and visibility, marking the first release from her upcoming Black Queen EP.
Nigerian singer/songwriter Patoranking launches his 2026 run with the commanding single “African Soldier,” featuring dancehall icon Buju Banton. Produced by Jazzwad, the roots reggae track blends powerful messaging with classic influences, reaffirming Patoranking’s foundation in reggae and dancehall. Serving as the second single from his upcoming album, the song champions African pride, unity, and global Black excellence, delivering a stirring call for liberation while celebrating the strength and cultural impact of African music worldwide.
Longtime R&B singer/songwriter Durand Bernarr kicks off a fresh chapter with his new single “Wild Ride,” featuring James Fauntleroy. Arriving after his GRAMMY win for Best Progressive R&B Album, the track signals artistic evolution, blending Bernarr’s expressive vocals with Fauntleroy’s polished songwriting and production. Anchored in themes of clarity and emotional presence, “Wild Ride” explores fully embracing life’s moments, delivering a smooth yet introspective groove that highlights both artists’ creative chemistry and forward-thinking R&B sound.
Keri Hilson makes a long-awaited and deeply personal return with We Need to Talk: Redemption , the final chapter of her trilogy released via Create Music Group. Marking her first full project since No Boys Allowed, the album completes a 20-track journey through love, conflict, and growth. Featuring production from Polow da Don, standout moments like “Who” and “Thankful” highlight Hilson’s emotional depth, closing a powerful era centered on healing, resilience, and self-reflection.
London trio FLO return with confidence on their bold new single “Leak It,” paired with a playful, satirical video directed by Olivia De Camps and released via Island Records. Marking their first release since 2024s Access All Areas album, the track blends sleek harmonies with themes of empowerment and self-worth. Set in a quirky wellness retreat, the visual captures FLO’s humor and edge, delivering the “iconic” video they once dreamed of while celebrating confidence, individuality, and reclaiming power.