Few songs announced the arrival of a disco superstar quite like Donna Summer’s “Love to Love You Baby.” Originally released in the Netherlands in 1975 before becoming an international hit later that year, the seductive track introduced audiences to a daring new sound that blended Summer’s soulful vocals with Giorgio Moroder and Pete Bellotte’s pioneering electronic disco production. The song quickly established Summer as one of the defining voices of the disco era. The story behind the recording is nearly as fascinating as the song itself. Summer initially suggested the title lyric to Moroder and agreed to record the song as a demo, believing another artist might ultimately perform it. Her passionate vocal performance convinced Moroder that she was the right singer. When Casablanca Records president Neil Bogart heard the recording, he encouraged the producers to expand it dramatically. The resulting version ran more than 16 minutes and occupied the entire first side of Summer’s album Love to Love You Baby.  Released worldwide in November 1975, the song became a breakthrough success for Summer. In the United States, it reached No. 2 on the Billboard Hot 100, topped the Dance Club Songs chart for four weeks and reached No. 3 on the Hot Soul Singles chart. It also climbed to No. 4 on the UK Singles Chart despite the BBC initially refusing to promote the record. Its extended format helped establish a template for the longer disco records that would become staples of clubs and dance floors. Nearly five decades later, “Love to Love You Baby” remains one of Donna Summer’s signature recordings and a landmark in disco history. Its provocative performance, hypnotic groove and extended arrangement helped push the boundaries of what a pop single could sound like. In 1995, the Rock and Roll Hall of Fame recognized the song among its “500 Songs That Shaped Rock and Roll,” cementing its legacy as one of the recordings that helped define an era.

Former Atlanta radio host Big Tigger, whose real name is Darian Morgan, will not be prosecuted over allegations that he shoved his wife during an argument, causing her to stumble headfirst into a door. Morgan was arrested in June on battery and child cruelty charges, but court documents confirm that the Fulton County District Attorney’s Office has decided not to move forward with the case. According to an arrest affidavit, Morgan and his wife, Alicia Brown, were arguing in their bedroom over text messages he had received from a female co-worker. Morgan was accused of using “force to move the victim” and shoving her, causing her to hit an office door. Following his arrest, Morgan stepped away from The Big Tigger Morning Show on Atlanta’s V-103, his longtime radio program. The legal issues surrounding the couple continued after Brown was arrested July 6 during a traffic stop on Interstate 85 near the South Carolina line. She was taken into custody on kidnapping and custodial-interference warrants connected to a 2019 missing-persons case in Baltimore. Brown has since filed a federal lawsuit against Fulton County Sheriff Patrick Labat, alleging the warrant was faulty because a judge had granted her custody of her children less than two weeks before her arrest. She says the warrant was later recalled and the charge was not prosecuted.

R&B singer Bilal is facing allegations from Jamila Raegan, the mother of his adult son Bashir, who claims the artist has left her to handle their son’s care on her own. In an emotional Instagram post, Raegan also accused Bilal, whose full name is Bilal Oliver, of abuse, alleging that she had spent more than half her life protecting him. “I’m not okay because I’ve spent over half of my life protecting an abuser,” she wrote before identifying the singer by name. Raegan said Bashir has multiple disabilities, including autism and bipolar disorder, and accused Bilal of showing “complete disregard” as she manages his needs. Raegan said she is receiving support from relatives, friends and members of her community but remains overwhelmed by the situation. “I am caring for him alone while his father continues to live his life,” she wrote, later adding, “I am breaking. I am not okay.” She did not provide specific details about the abuse allegation or explain what financial, emotional or caregiving assistance she believes Bilal has failed to provide. Bilal briefly appeared to respond to the controversy in a comment on an Instagram post from The Jasmine Brand, writing, “Wow. This is so sad,” but he has not directly addressed or denied the allegations. The claims contrast with Bilal’s previous public discussions about fatherhood and his relationship with his children. His 2010 song “Little One,” from Airtight’s Revenge, was inspired by his children and accompanied by a video centered on a family learning that their child is autistic. In a 2011 interview, Bilal discussed using music, drumming, exercise and dietary changes as ways of supporting Bashir following his diagnosis. Bilal, who rose to prominence with his 2001 debut album 1st Born Second, has gone on to build a respected career spanning R&B, jazz and progressive soul, collaborating with artists including The Roots, Common, Erykah Badu, Kendrick Lamar, Beyoncé, Jay-Z and Robert Glasper.

South African R&B and soul singer-songwriter Langa Mavuso returns with “I Choose You,” the first single from his forthcoming deluxe album Therapy: The Other Side (Deluxe). Released September 8, the soulful love song introduces the next chapter of Mavuso’s artistic journey.

Young Jonn returns with “Hold Somebody,” an easygoing Afrobeats single built around a warm groove and catchy hook. The Nigerian hitmaker, singer, and producer keeps the production clean and uncomplicated, allowing the rhythm and melody to shine. Blending contemporary Nigerian pop with his signature melodic touch, the track is equally suited for house parties or relaxed solo listening. Its inviting mood and repetitive groove emphasize connection and movement, creating a natural, accessible record that lingers after one listen.

North West London R&B singer Natanya unveils the intriguing new video for “Ticket Stop,” taken from her forthcoming album Attitude Era!, due September 10. Directed by Tally Francis, the eerie visual finds Natanya performing on a stage surrounded by motionless figures dressed in white face, portraying a butler, dancer, waitress and concierge. As Natanya grooves and sings about freedom, travel, independence, spaceships and dreams, the symbolic setting captures her journey toward finding her “ticket stop” (a personal mission in life) while embracing life’s unpredictable path.

British singer-songwriter and producer RAYE teams up with sisters and fellow artists Amma and Absolutely for the uplifting official video for “Joy.,” the latest single from her UK No. 1 album THIS MUSIC MAY CONTAIN HOPE. Directed by Otis Dominique, the video follows the trio on a London road trip in their “Joymobile,” handing out sunflowers and offering smiles to unsuspecting residents. Blending gospel and soul influences with disco, pop and R&B production, the track also features individual verses from Amma and Absolutely, spreading its message of happiness and connection.

Jamaican singer-songwriter D’Yani makes his album debut with Live Life & Prosper, an 11-track project exploring faith, family, love, vulnerability, healing and personal growth. Following the international attention generated by the lead single “Live A Little,” the album blends reggae, ska and lovers rock with soulful storytelling and expressive vocals. Through warm production and relatable themes, D’Yani creates a deeply personal listening experience centered on resilience, purpose and hope, reminding listeners that joy can be found on the other side of life’s challenges.

British singer-songwriter Joy Crookes has teamed up with Chicago-bred R&B artist Ravyn Lenae for “Feet Don’t Fail Me Now (Part 2),” a reworked version of her 2021 track from Skin. The song recently surged in popularity through its connection to football and its inclusion on FIFA 22, becoming an unofficial World Cup anthem. Originally inspired by cancel culture and the fear of speaking out, Crookes hopes the song encourages listeners to be braver, while Lenae brings a fresh perspective to the soulful collaboration.