UK singer-songwriter Rachel Chinouriri offers a third preview of her highly anticipated sophomore album with “Broken Chair,” a playful, emotional and catchy indie-pop track about navigating her mid-twenties. Written in Los Angeles, the song transforms a night out into a moment of self-reflection, exploring drinking, partying and self-worth. Chinouriri co-wrote the track with singer/songwriter/producer Lucy Dacus, who encouraged her to embrace who she is and recognize that she is enough exactly as she is.

Nigerian gospel minister Mercy Chinwo delivers an energetic anthem of praise and thanksgiving with “My God" (also known as “My God, You Are Good"). Released September 25, the vibrant single blends joyful African rhythms with a heartfelt message of gratitude and faith. Written and composed by Chinwo, the song celebrates God’s faithfulness and serves as a personal testimony of answered prayers. With its uplifting energy and powerful declaration of devotion, “My God” invites listeners to celebrate God’s goodness.

Veteran R&B/Soul singer PJ Morton revisits the complicated emotions of a relationship on “Used To Be,” a standout from his 2026 double album, Saturday Night / Sunday Morning. The soulful track looks back at a love that changed after outside opinions and doubt began creeping in, with Morton longing to rewind the clock and recapture what once was. The official visualizer and audio complement the reflective song, adding a creative visual layer to its nostalgic, relationship-centered message.

Canadian pop/R&B singer Alessia Cara celebrates the five-year anniversary of her critically acclaimed third album, In the Meantime, with the new video for “Apartment Song.” A bouncy ode to single life and solitude, the track captures the comfort and isolation Cara experienced after moving into a new apartment during the pandemic. Originally released in September 2021, the fan favorite gets a playful, full-circle visual co-directed and co-edited by Cara and Dario, bringing renewed energy to the beloved track.

Grammy-award winning R&B, jazz, neo-soul and gospel singer-songwriter Lalah Hathaway returns with Made in Chicago, her ninth studio album and a deeply personal tribute to the city that shaped her. Released on what would have been her father Donny Hathaway’s 81st birthday, the nine-track collection draws inspiration from childhood memories, Chicago’s skyline and Lake Michigan. Made with longtime collaborator Phil Beaudreau, the album blends warm and soulful vocals, creating a lush sound that honors Hathaway’s past while pushing her artistry forward.

Rapper Rick Ross was arrested Thursday morning in Miami Beach in connection with a domestic violence case, according to online jail records. Ross, whose real name is William Leonard Roberts, was booked into the Turner Guilford Knight Correctional Center at 6:10 a.m. on a battery by strangulation charge. The arrest follows public allegations from his former girlfriend, Jazzma Kendrick, who recently accused the rapper of physically abusing her. According to a Miami Beach Police Department arrest report, Kendrick, identified by the initials J.K., reported an alleged Aug. 28 incident to police Tuesday. Authorities said she and Ross had been dating for about a year and living together when she was awakened by Ross, who allegedly became angry after she was tagged in an Instagram photo. The report alleges Ross slapped and repeatedly struck her, choked her using the collar of her hoodie, slammed her against a wall and caused a busted lip before she escaped the home. Ross surrendered to police Thursday and did not provide a statement about the allegations, according to authorities. During a bond hearing, his attorney, Bradley Horenstein, asked for an expedited release, citing Ross’s celebrity status, but Judge Mindy Glazer said he would be treated like everyone else. She granted Ross a $5,000 bond and ordered him to stay away from the alleged victim. After his release, Ross told reporters he was “totally innocent” and called the allegations fabricated, while saying he planned to travel to Dubai and Paris over the weekend.

For this week’s Throwback Thursday, we’re taking it back to The Deele’s timeless R&B ballad “Two Occasions.” Written by Babyface, Darnell Bristol and Sid Johnson and produced by Babyface and L.A. Reid, the song appeared on The Deele’s 1987 album Eyes of a Stranger . Released as the album’s second single in December 1987, the smooth quiet-storm classic featured alternating lead vocals from Babyface, Bristol and Carlos “Satin” Greene. “Two Occasions” became The Deele’s defining hit, reaching No. 10 on the Billboard Hot 100, No. 4 on the Hot Black Singles chart and No. 21 on the Adult Contemporary chart. Interestingly, Babyface ended up singing the song’s bridge almost by accident after another group member left the studio early to attend a Halloween party in Cincinnati. The song later earned a BMI Pop Award in 1989. The official video perfectly captures the sophisticated late-’80s R&B aesthetic, with The Deele performing in an elegant courtyard surrounded by white arches while dressed in sharp black suits and sunglasses. A solo dancer adds another visual touch to the romantic presentation. The song’s influence continued decades later, with Mariah Carey referencing and sampling it for the remix of “We Belong Together,” while Next also sampled it for “I Still Love You.” Babyface and members of The Deele have since reunited to perform the beloved classic live.

Dallas rapper Dolly Babe has given her viral hit “Pink Blush” a major boost with a remix featuring Megan Thee Stallion. Released September 24, through 300 Entertainment, “Pink Blush (Remix)” pairs two rising Southern hip-hop voices on an energetic, confident track. The original single gained widespread attention over the summer, earning recognition from major stars including Madonna and Rihanna. Megan’s appearance adds fresh momentum to Dolly Babe’s breakout song and could help expand its chart reach.

Shenseea trades her signature confidence and swagger for raw honesty on “Vulnerability,” her most personal record to date. The Jamaican dancehall star opens up about growing up without knowing her father, the pain of losing her mother, and past relationships that left emotional scars and made finding love difficult. Despite its heavy themes, the track (co-produced by Kyle Evans and Jo Caleb) carries a groovy, therapeutic feel, driven by soft percussion and rhythm-heavy electronic instrumentation. The result is an emotionally revealing song that maintains enough energy to become another dancehall favorite.